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SeethabenchthereTwentyfivethirtythirtythirtythirtyfortyfiftyhunnerd
hunnerdninetyninetyAnybodygotseventyseventyseventyonthebench.
Nine
o'clock on a sweltering August morning. Men wearing faded jeans and t-shirts,
ball
caps shading their eyes from the sun, and women in shorts and heat-wrinkled
blouses mill around
piles of American artifacts spread out in a large field.
They
peek inside the drawers of old furniture, poke through boxes of tarnished
silverware, and test the hinges of cabinet doors. But they never stray too far
from the sing-song
litany coming from an oversized golf cart that slowly nudges them along the
rows of benches,
hutches, headboards, and cabinets like a motorized sheepdog. It's Wednesday
morning at Dixon's
Auction in Crumpton. As much a part of the Eastern Shore as a speedtrap on Rt.
50, the dealers,
sellers, bargain seekers, and sightseers gather here each week for the day-long
auction.
Gonnalookatthismantelpiece.Nicesolidwood.Fortyfiftyseventysev
entyseventy.AnybodygotninetyninetyHunnerdhunnerdhunnerd.Nine
tyonthemantelpiece.You'rein.
Most
of the buyers are regulars, dealers who pick up their inventory at this and
similar
auctions along the East Coast. Dixon's is one of the largest. The weekly sale
starts at 9 am and
continues until everything has been offered. It's not unusual for the dedicated
to stay until sunset,
rain or shine, snow or sweat. The only time the auction isn't held is if Christmas
falls on a
Wednesday.
Most
of the merchandise comes from estates or from families cleaning out houses.
Some
of it is excellent, the sort of things antique dealers covet -- ornately carved
headboards, decorative
brackets, stone birdbaths from a Victorian garden. Then there are the curiosities,
like the large
suitcase overflowing with ball point pens. And the obscenities, like the solid
oak hutch painted a
bilious yellow with a blue interior.
Many
of the dealers come every week. They arrive with panel trucks and helpers who
stand ready with hand-trucks and brute strength to load the purchases and transport
them to
Virginia, the Carolinas, and beyond.
"A
lot of dealers come up from the south," says Jim Tarleton. He's working
on his 15th
year as an auctioneer at Dixon's. "There's one dealer who comes up from
Florida once a month,
and a man from Texas comes in twice a year."
The
Diaspora of furnishings follows a definite direction. Colonial pieces from the
North
and East head South. The Victorian and period pieces, meanwhile, and things
from the West and
Southwest move through the Mid-Atlantic to New York and New England.
This
isn't Sotheby's, where the lineage of each piece is known and the auctioneers
coax
bids from a well-heeled audience with polished grace. With hundreds of things
to move and only
a few hours to move them, each sale is made quickly and efficiently. Knowing
what to toss out as
a starting bid is a matter of training and experience, explains Tarleton. "You
pick it up with
experience. You get an idea of what something is worth. If I see a $500 corner
cupboard, I'm not
going to start it at $20."
The
bidding is done subtly by the pros - eye contact between the auctioneer and
the
bidder, a slight nod or shake of the head. Tarleton, like all of the auctioneers,
senses when he's
gotten the highest price he can expect, and closes the deal quickly, never letting
his cart stop,
never letting the action lag. It's early yet, and he has several acres of goods
to sell.
Let'smovetheserockers.SetofrockingchairsrighthereStartatsixtyrahunnerd
sixtyeightyeightyhunnerdonetwentyonetwenty.Gonefo .
Mary
Selles is one of the regulars. She haunts Dixon's for home furnishings from
1840-
1940 for her nearby store, Amaryllis. At the moment, she is hovering over a
half dozen ornate
metal rods she just purchased. She's not sure, but thinks she is going to use
them to do something
with curtains.
She
knows most of the other dealers and what they look for. It's often the same
thing she
is. This might not be the place to find the meaning of life, but she regards
the auction with a
philosophical eye.
"It's
really a study of personalities. You see selfish and generous people. It's very
democratic. We try to accommodate each other when we are all looking at the
same pieces.
Nobody gets everything he wants."
As
she talks, she keeps one eye on the moving cart. Democracy and accommodation
go
only so far when there are pieces out there that she knows can be resold quickly
at her store.
"If you are a buyer, the computer is always working. You want to remember
where you saw
something and when it is going to come up for sale."
That's
almost impossible to do solo, since the landscape is always shifting. As one
row of
goods is sold, the crews move in to carry them away. Once the space is cleared,
the vans and
panel trucks move closer to the next row.
"It
is very disorienting. I try to number the rows, but it's hard. You plan to bid
on
something, but when you turn away or load something, you miscalculate and find
you missed it."
What'sthatthere?Thatsink.Putthatboxofglassesandfolding
tablewithit.IseetendollartendollardoIgetfifteenfifteen.Sold
tendollar.Moneycoming.Moneymoney.
There
are actually three auctions going on simultaneously. The main field, with the
fine
furniture and other quality goods, has a $20 minimum bid. The $5 field houses
the sort of
leftovers and discards that might be used to furnish a hunting camp or kids'
treehouses. It's
littered with a box of hubcaps, a ½-assembled filing cabinet made of
"traditional oak," a pile of
old hats - pillboxes from the Kennedy era, cloches, and once-stylish somethings
decorated with
faded, broken feathers. There are rolls of chicken wire, an ancient gas stove,
and an older
Mixmaster.
The
action in the $5 field is a chaotic ballet choreographed by green-shirted auction
staff.
They call out instructions and descriptions to the auctioneer as they shove
lots together, insuring
that the bidder who's indicated interest in something will get it - and a lot
of other stuff besides.
Someone holding an ironing board might find the lot now includes three rusting
shovels and eight
folding metal chairs. Scavengers will pick up what the winning bidder doesn't
want and leaves
behind. Whatever is still in the field in the morning is hauled off to the local
dump.
Jesse
Dixon, the 43-year-old son of owner Norman Dixon, hustles down the line of lots,
his face and shirt covered with a thin sheen of August sweat and dust.
"You having fun yet?" someone calls to him.
"I'm always having fun!" he calls back with a grin. "I get 10%
of everything they sell. I
can do this all day!"
His
father brought the auction in 1963. Jesse was raised in the business, he explains
as he
heads back to the main building, passing a woman who is celebrating her purchase
of two Mr.
Peanut banks. He's never considered doing anything else. Neither have a lot
of his relatives. By
his reckoning, there are seven or eight grandsons, nephews, cousins, and aunts
all working there.
His usual duty is running the third auction that goes on in the relative comfort
of a large,
concrete-floored building the Dixons built when they took over. This is where
the smaller items
are sold. Stacked on long, low tables are cast iron metal banks, a Baltimore
Colts umbrella stand,
fake Hummel figurines, real Hummel figurines, fine china patterns (some complete
sets and some
in pieces), an entire crate of empty 1 pt. Coke bottles, and a Samsun laser
printer (a Finale 8000
model). One table is covered with empty beer cans - Busch, Goebel, St. Pauli
Girl, Coors, Old
Milwaukee. Another features a display of Zippo lighters commemorating the US
Navy Mission to
Peru, RCA, the Furman Drilling Company, and The Beatles Abby Road album.
Splitthislot.We'vegotthechinaandthebooks.DoIseeten
dollarsforthebooks.Tendollars.LLBeanGuidetotheOut
doors.That'sabestseller.Tendollarsfortheboxofbooks.
Fifteenfifteenfifteenfifteentwentytwenty.Soldforfifteen.
There
isn't really a lunch break. The lunch room and counter service stay busy all
day, as
buyers time their meal to coincide when the things of interest are gone or haven't
come up forsale yet. The concessions are run by Amish who arrive from Lancaster
in the pre-dawn hours. It's
an incongruous sight - modestly-clad women scurrying through the kitchen and
dining room
wearing their traditional aprons and caps - and Reeboks.
The
food stall gets almost as much business as the auction. Cured hams, cheeses,
jams,
homemade breads, Shoo-Fly pies, and jars of chow-chow occupy one section of
the indoor
auction building. In the morning, hot soft pretzels and fresh donuts are in
demand. As the day
warms up, the ice cream concession has a line as long as Parrotheads waiting
for tickets to a
Jimmy Buffet concert. If a much-coveted hutch leaves the grounds in someone
else's van, at least
the losing bidder has the consolation of a double-dip butter-pecan ice cream
cone.
Nicechinapattern.There'scupsandsaucersandplateshee.Asis.
FiftyfiftyfiftysixtyeightydoIheareightynineynineyhunnerd
hunnerdonetwentyfiveonethirtyonethirtyonethirty.Gonefor
onetwentyfive.
By
late afternoon, it's down to a handful of bidders, mostly people waiting for
a piece
they've eyed all day. Outside, vans filled with furniture and collectibles are
ready to jostle their
way across the field to the highway on route to antique stores, interior decorators'
showrooms, or
private homes. Scavengers make a final pass through the $5 field. Inside the
main building,
auction employees begin straightening the tables and sweeping up the floors.
It's suddenly almost
quiet. In the morning, the first trucks will show up with goods for the following
week, when the
whole performance beings again.
Seewhatwe'vegothere.Gotanicesetofchairshere.Realnicese
tofdiningroomchairs.Ninety.Canwestartaninetyninetyninety
hunnerdhunnerdtenoentwentyonethirtyonethirtyonefiftyfifityonefiftyOnefifty.
Sold!